Hip-Hop as a Cultural Movement Essay -- Hip-Hop Culture

belt is a cultural movement that emerged from the draggled South Bronx, New York in the early 1970s. The areas in general African American and Puerto Rican residents originated this uniquely American musical genre and kitchen-gardening that over the past iv decades has developed into a global booster impacting the formation of youth culture around the world. The South Bronx was a gyrate of political, tender, and economic upheaval in the years leading up to the source of Hip-Hop. The early part of the 1970s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang reign neighborhoods. Hip-Hop proved to be successful as both a creative outlet for expressing the struggles of life amidst the prevailing crime and violence as well as an enjoyable and cheap form of recreation. The longevity of Hip-Hop as a cultural movement can most without delay be attributed to its humble roots. For mult iple generations of young people, Hip-Hop has directly reflected the political, economic, and social realities of their lives. Widely regarded as the father of the Hip-Hop, Afrika Bambaataa named the cultural movement and delineate its four fundamental elements, which consisted of disc jockeying, break dancing, graffiti art, and rapping. Dating back to its organic law Hip-Hop has always been a cultural movement. Defined by outlying(prenominal) more then just a style of music, Hip-Hop influences fashion, vernacular, philosophy, and the esthetic sensibility of a large portion of the youth population (Homolka 2010). in spite of having absolutely nothing to do with the four elements of Hip-Hop as defined by Afrika Bambaataa, the most influential person in the creati... ...olka, Petr Bc., and Jeffrey Alan Vanderziel. Black or White Commercial work stoppage Music and Authenticity. Masaryk University Faculty of Arts, Department of side and American Studies. (2010) 7-21. Web. Jo nnes, Jill. South Bronx rising the rise, fall, and resurrection of an American city. New York Fordham University Press. (1986). LaBoskey, Sara. Getting aside Portrayals of Masculinity in Hip Hop spring in Film. Dance Research Journal. 33.2 (2001). 112-120. Price, Emmett III. Hip Hop Culture. Santa Barbara. (2006).Rhodes, Henry A. The Evolution of Rap Music in the United States. Yale New Haven Teachers Institute. (2003)Samuels, David. The Rap on Rap the Black Music that Isnt Either. The New Republic. (November 11, 1991).Simpson, Janice C., Time. Yo Rap Gets on the Map Led by groups like Public Enemy. (February 5, 1990).